The audacity of Meghan's actions is truly staggering. On the very same day that Prince William and Prince Harry briefly united to honor their late mother's charitable work at the Diana Legacy Awards, Meghan chose to soft launch her own tech-oriented vanity brand called American Riviera Orchard. As if the timing of her capitalist gambit wasn't disrespectful enough, she positioned herself as a spiritual successor to Diana's humanitarian efforts.
The sheer arrogance of this grifting narcissist is compared to her glorified Etsy store, where she sells overpriced jams and soaps, to the tireless advocacy work of Princess Diana is utterly reprehensible. Thankfully, we have an authoritative voice calling out this disgraceful co-opting of Meghan's good name and legacy for transparent cash grabs. That voice belongs to the celebrity royal author, Tom Bower.
Bower didn't hold back in eviscerating Meghan's motives. In his own cutting words, he described her as the "Duchess of deception" and criticized her latest business venture as a cynical way to cash in on Diana's legacy. It's no wonder he finds it baffling that Meghan continuously exploits her tenuous royal connections and sees it as nothing more than money-grubbing. Tom Bower's words summarize the situation perfectly.
Meghan's attempt to rebrand herself as Diana 2.0 through her overpriced nut butters and hair potions is not only absurd but also insulting. Does this unstable grifter truly believe she operates on the same altruistic plane as the beloved global humanitarian Diana? Diana dedicated her life to helping those less fortunate, from destigmatizing AIDS patients to advocating for the hungry and underprivileged around the world. To compare Meghan's exploits to Diana's lifelong commitment is beyond insulting—it's a slap in the face to Diana's entire humanitarian legacy.
Tom Bower, for being one of the increasingly few voices unafraid to expose Meghan's masquerade. It's clear that behind her charity cosplay lies a publicity-ravenous disaster. There isn't a selfless bone in her body as she views the world, including Diana's memory, as mere commodities to exploit for her own enrichment.
